Quartet 2 - Arcade

Let the poncy title games, begin!

For an old game there's a little bit of charm still left in this one. Quartet 2, in which we adopt the Gauntlet model of gaming and having several colour coded players running around the levels but instead we drop it to a 2D platformer, throw in some guns and weapons, some physical powerups and so on.

As opposed to a chicken, that would be original at least.

From the off, in Quartet 2, you get to choose from Caucasian guy 1, Caucasian guy 2, Caucasian Girl and Complimentary Black Guy, running by the names of Lee, Joe, Mary and Edgar and their photos looking like some offcut designs from the original Dragonball series of anime. I'm guessing this line up was done for the thinking "White Male most popular demographic so let's have two of those, then throw in some others 'just in case' someone wants to use them". Though having said that, they all do have slightly different weapons and slightly different weapons during upgrades.

Lots of enemies, lots of action and fairly smoothe too!

The premise is simple enough in Quartet 2, start the level, travel to the end and kill the boss that holds the key, then leave via the door. On the way you may find various power ups in the guise of jetpacks, higher jumping, more points, weapon upgrades and such. Also found within the levels are bouncing orbs that can be shot to cycle through colours, giving rise to the possibility of gaining weapon upgrades if you collect it with your characters main colour being selected, or just more points. However, upgrading your weapon too many times resets it back to the first point, which may or may not be a boon or hindrance depending upon your character, but gives you an incentive to hunt for more orbs.

Special weapons for each person, but who really cares?

However, you also have a limit on health and while the game plays, your health drops steadily. Getting hit, shot, or just collided with by the enemies will plummet your health to dangerously low levels and dropping to zero is the end game situation for your character unless you want to pump in another credit and keep playing.

Joe will win the day, with his stupid quiff

Given the time and technology available, Quartet 2 is proudly holding the "Cartoony" appearance because it really can't be doing anything else with such limited capacity. However you can expect the rooms and levels to be flooded with enemies from time to time with no slow-down happening in the game. Monsters, as cartoony as one can make them, spawn periodically and endlessly from key spawn doorways and trapdoors to hamper our characters progress while the boss will take multiple hits before going down, increasing in speed and threat until that point.

Mary in red, dancing with me... Cheek to cheek...

The sounds within Quartet 2 are quite chirpy and cheerful for the music, tripping along to an almost easy-going set of musical scores while the blippy noises and beepy squeakies give the game a certain charm that improves to the overall experience in that this is rather innocent little game before the times of blood, guts, gore and games taking that "dark" and "edgy" approach, it's cute and cheerful and for all intents and purposes could be a game show of the future.

It looks complicated, most of it can be ignored and just gun it for the key.

Overall, Quartet isn't a bad game but it's not a great game. There's too many times that you'll find your character dropping all of their items after colliding with an enemy (including the door key) and having to backtrack to get them and then dropping it again when you arrive back to the same enemy now that it has respawned and sits awaiting to fuck up your day the same way it already has done so. Give it a try however if you see it around, the responsive controls may let you feel for the days when playable games were all that a game really needed to be without relying on gimmicks and sexualisation.

Xybots - Arcade

How... do you pronounce that?

Take 2 players, drop them into a maze filled with increasingly more difficult layouts and monsters/robots and make it part Third Person Shooter and you've effectively got yourself Xybots.

It's quite a bit daunting at the start

In taking from possibly the idea of Gauntlet but giving us an "in maze" view rather than the typical top-down view, Xybots not only takes the approach of giving us warning messages the first time anything new happens, much like in Gauntlet, but it also lets us see the action happening in the playing field. The view itself is split up into 3 parts. One screen for player 1, one screen for player 2 and the rest of the screen, which is the upper half, is dedicated to stats, layouts and the map for both players.

And then the difficulty kicks in

Play takes place for Xybots in the same arena for each player. As the players move and progress through the maze, they'll gradually map the maze out from their views. Sometimes players start together, sometimes they don't but they ideally have to find the same exit (and there's warps to other levels too). This leads to possible routes of attack where players can flank and ambush enemies that have specifically-directional shields. In other cases this isn't a good idea as the game may flag up that shooting each other will hurt and most hits take 10% of your ever-fading life bar.

Maps and sensors, though costly, will save a lot of time.

Yep, Xybots is one of those countdown games where the longer you take, the less health you'll have in the next round and such. However the game is unique with its control system in that not only do you navigate with the joystick to move forwards, backwards, sidestepping left and right, but turning is done by twisting the top of the control to turn 90 degrees either left or right depending upon the direction turned. If you're not aware the game can do this, you'll find several first few maps that have you running sideways down a corridor until you either learn it, get killed or miraculously get to the end of the corridor while being shot at.

Some enemies have shields, some fire back. Beware those that have both functions.

Enemies are the rather non-descript entities ranging from spaceships that pick up items and move them around, including coins which are used to buy things at the end of levels, health, keys, weapons and so on. Large robots that move and shoot at you while taking several hits to be killed fully, smaller robots that take similar hits but can selectively use shields to block and fire, insect looking things that move almost erratically and hammer the player with a huge level of shots while they themselves can only be shot at JUST the right time. Every now and then you get to meet a Master Xybot which needs to be shot repeatedly in key places to succeed and losing will knock you back some 10 or so levels. Sounds very fair to me.

Each new event gets a lovely little (annoying) message about it!

Speaking of sounds, the music in the game takes a very lacklustre approach and while it doesn't overwhelm the ambience of the game, there's plenty of room for extra that could be better used to build upon the mechanics of the game. While the sounds are the usual bleep and bloops we've come to expect from this time period, it's interesting to behold the digitised speech mechanic within the game. Otherwise it's clear that most of the focus has gone into the graphics of the game and the gameplay.

And there's bosses too... Good luck.

It's a fun game initially though the first few levels are a little too gradual on the difficulty curve while later levels will ramp it up to becoming a vertical way that eventually flexes back upon itself. Stick to it a little and have someone competent playing alongside you and you'll do well to enjoy this game.

Space Gun - Arcade

You're in Space, and you have a gun... Gun Space! -ah shit...

Light Gun time again as we venture to planets unknown in search of the mystic plot device as to why people have gone bye-byes and odd creatures are in their place making life miserable for all and sundry. Yep it's the age old alien space monster plot of Distant-Planet-Lost-Contact-With-Space-Ship-Go-There-To-Find-Aliens-Kill-All-And-Run motif. Or DPLCWSSGTTFAKAAR for short.

Blood guts and gore everywhere.

Very quickly the plot in Space Fun falls into the Aliens category of space monster madness in that a spaceship goes silent, so people go to investigate it, then a planet, then you stop an alien army... By yourself (and a friend perhaps) while armed with a machinegun and an assortment of weapons and, wait for it, a PEDAL! Yes that's right ladies and ladies, you heard it first here, a pedal used in a light gun game before Time Crisis was on the scene. Predating Namco's title by around 5 years or so.

The player is hardcore, a slash damage that size from something akin to a bear is an Ouch...

While the gun remains as one might expect, a gun. Space Gun allows us the ability to select between four different special attacks. While specials were available in Beast Busters (and quite a few there too) and also in games like Revolution X, Operation Wolf (Ah the grand-daddy) this time around we're able to select which special we wish to use. Ranging from the flame shot that incinerates most enemies if they're grouped together, rockets for the welcome-home feeling, a laser sword swipe that cuts through all enemies but is very narrow in it's spread of attack and an ice shot that freeze enemies for more damage with the main gun and could shatter most smaller/basic enemies.

Nice and large bosses to battle

All the usual cliché’s are there in Space Gun. Dark and difficult to see corridors filled with monsters that can have arms and limbs blown off, HEADS blown off and still attack you, pods that release ravenous teeth-filled spores, critters, creepy crawlies and many more assorted monsters that get bigger and more stubborn to succumbing to death and are otherwise known as boss monsters. While at the same time you've also got plenty of pods around that can give you ammo and health, or shields against the aliens, other people are around that need saving for bonuses at the end of the level (If you make it that far) and then there's the pedal that lets you backtrack to either slow down the onslaught of enemies or go back for something you missed! EPOCH MAKING!

AHEM-Ripping off Aliens-AHEM

Aesthetically there's some lovely little touches in Space Gun, the occasional instance of blowing glass out of a spaceship results in shielding coming down to prevent exposure to vacuum (but who puts GLASS between a walkway and outer space?), mutations of would-be hostages that become aliens just before you save them are animated in an interesting and fairly unique manner, while most of the game seems to rip/borrow from Aliens up to and even including the planet base looking like the main site of LV-426 from Aliens. Thankfully nothing in the game actually LOOKS like it's from alien... Aside from the eggs and wall crawling little critters... And most of the aliens.

Last boss, Hint: Be accurate...

Plagiarism or Homage? That's not for me to decide, but what I can comment upon is that while the game is fun, it has its hang-ups. For instance, the selection of the extra weapons is sequential, so getting to the one you want, while under the extra pressure and stress of fighting off aliens, you're likely to over shoot the one you need, or not hit the one you want and make various, multiple mistakes. On top of this there's the issue of the game purposefully overrunning you with more enemies than you can attack at once, or just hurling at you bosses and monsters that shrug off multiple shots before arbitrarily just giving you a dry slap.

Did you kill something, or sneeze?

It's not a huge list of awkwardness, and the reverse function with the pedal is rather downplayed. The biggest gripe with the game is the brevity, it's just too short but having said that, the final fight is made all the more interesting by having your accuracy be paramount to success. A fight between yourself and the last boss, while in front of the control panels that fly the spaceship. Happy shooting! It's certainly worth the time to play but don't invest too many credits for it.