Rogue Legacy - Steam

So it begins, a legacy of dead characters.

The king was murdered; the betrayer stands within the castle and rules in his place, he is your ancestor. Something it keeping him alive and while he lives, the injustice remains rife. You attempt to right the wrongs that have been made to set order and balance back on the path of righteousness. The loss is more personal, your father went into the castle to resolve this issue and was never seen again, now it’s your turn as you leave your children behind and head to the traitor’s keep. Charon, agent of death stands before you and relieves you of your worldly possessions as you enter with but your armour and weapons and inside you step to continue the Rogue Legacy.

The only stable room in the set up

This is the gist of the game without giving too much away at first. It’s a platformer rogue-like and the rogue-like element here is that the cast you enter changes its layout each time (unless... you unlock the ability to keep it), and each entry into the castle will cost you your remaining cash but all cash found in the castle is kept for buying upgrades, armours, runes (empowering modifications) and the such. Within the castle lies a wealth of traps, monsters, mini-bosses, 4 main bosses and then finally (if you get this far) the last boss and a definitely final boss if we’re talking tropes at this point.

Select your sprog to go and die for your cause.

Much like games like Infinity Blade, we’re talking about generational progression. Your character, of whichever background (more about that in a moment) will be killed and stored in the gallery for all time. When you start hitting around the 40 lives lost mark, you begin to realise there’s quite an enormity behind losing. Not unlike the original Cannon Fodder which had tombstones for every single person lost in combat that would soon litter the level select screen.

Looks a bit crap, but later the castle will be quite a size with all unlocked items accessible

Each time you begin an attempt on the castle, you get to pick from one of three offspring of the previous attempt. Or basically a randomly generated set of characters which includes their classification, perks and demerits. Ranging from having Barbarians that have slim builds and more likely to be knocked back on a hit, to ninjas that don’t activate spikes because they lack a pulse in their limbs (it makes sense in context) to Paladins that are colour-blind, or longsighted (around you is blurring) short-sighted (around you is NOT blurry) to not being able to see incoming projectiles from off-screen and so on. It gives a very large pool of variation which can include being gay (a fan of the man/woman depending upon your gender and then makes one wonder how there’s a next generation... but I digress). This also includes the spell you will be taking with you ranging from throwing axes, knives, fireball walls, bouncing balls, homing attacks and more.

You died. And there's all the people you killed. Also, this one suffered coprolalia

As said, it’s a platform game, levels are randomly generated and each castle layout has the objective of killing 4 bosses and then the final boss to beat the castle before New Game+ is activated. The problem is you will die, a lot, and as a rogue-like you need to accept that fact and realise it is part of the game mechanic. Dying will return you to the HQ where you keep your cash from that run and can spend it on upgrades to stats, abilities, classes of characters, how much money Charon takes from you, unlocking new helpers that will give you new abilities and improving battle %’s for things like critical hits (if your particular class CAN do critical hits... Hokage, looking at you).

New equipment? Costs money. New runes? Costs money. Pattern much? Costs Money...

Graphically, the game is a strong call back to less serious looking platformers with plenty of cartoony styled graphics and animations (seriously, I love the hero’s running animation), monsters are sufficiently detailed with bosses really taking the biscuit on account of their size while scenery and backgrounds are lavished with those cute little nods and tips of detail that really bring the whole package together.

Spikes, Skeletons and monsters, oh my!

The music is select of a nice set of compositions, depending upon which area of the castle you’re in or if you find a juke box, there’s nothing overbearing or underwhelming and everything plods along at an agreeable pace while stopping short of becoming that ear-tick where you end up humming the same few bars over and over. It’s sufficient and fits the bill with some interesting use of instrumentals within the pieces themselves. The sound effects are diverse enough with your character having multiple sounds for being injured; spells and attacks use diverse effects to accompany their use.

Some of the locations are rather otherworldly, that's a huge moon too.

Overall it’s a fun game with a lot of replay factor though the random number generator can really stitch you up if you’re unlucky and have to play through multiple, horribly and awkwardly laid-out rooms. Sometimes you’ll die in the first few levels, other times you’ll die after a few bosses are beaten, but the random generation and the upgrading mechanic will keep players playing this for a long time. But not as long as it could have been, eventually there will be a point where insufficient progression will be made, where it’s impossible to continue on with the game and there’s nothing left to attain or unlock and then it’ll wither away because everything’s been done and there’s too much focused direction for the player to hold onto, the game being more rogue-like than rogue leaves it satisfying for a while but eventually unfulfilling.

Moraff's World - DOS

Thanks to the set up, this was the best title screen I could get. Shut up.

Thought I'd go WAY back to the dawn of time and pluck forth from the depths of DOS, a game that first got me into the whole Dungeons and/or Dragons principle of wandering around a dungeon with various health points, other sorts of stats and generally kicking the shit out of multiple monsters that couldn't reach the upper level where it was safe and I was the only person in the town that could do anything at all, ever. I am of course referring to Moraff's World.

Choose your race, or whichever set of numbers looks nicer to you.

The idea is simple enough, create a character using a quick sheet and wandering your way through approximately 200 levels of dungeons in your quest to punch out the Red Dragon King. (I didn't vote for him...) On the way you'll encounter a veritable army of monsters ranging from badly drawn orcs, to badly drawn puffballs, to badly drawn dragons and many other badly drawn creatures. Combat is an easy enough affair of simply pressing F for fight when they're up close to you and the winner is the one still with a positive number of hit points.

Well, what teenager isn't this these days?

 Interestingly, the screen splits the view into 4 view screens, each one showing your perspective while facing in the four key compass directions. Upper view showing North, Lower view showing South and so on, which allows you to see in all directions and lowers the chance of something sneaking up on you and taking you by surprise. (I said 'lowers' not 'stops'...) What it doesn't stop, is that some walls are fake and enemies can pop out from them at a moment's notice.

How would you like to play? Pick carefully or you're going to be in trouble.

Depending upon your character will depend upon whether they're capable of using weapons, or spells, if they have access to any or all spells and if they gain Experience by wandering around or by fighting and killing things. There's a host of different ways to play the game but regardless of that, it's all a very similar experience.

Slightly confusing at first but the display lets you see all round at all times.

There is only one dungeon and even if you leave to head into the wilderness, you won't find a different dungeon, just the same one again and again. That said, the dungeon is huge at 200 levels and a town where you'll be running back to in order to level up or exchange your hard won cash into game-legal tender (carrying too much will slow you down and give faster monsters more attacks before you can retaliate). You'll also be able to head into the Temple and cure poisons, diseases and resurrect yourself should you bite the big one.

Killing monsters and taking stones, repeat, repeat, repeat.... Ad Nauseam.

The biggest issue in the game is that of combating boredom. After a while it becomes an endless slog through dungeon floor after dungeon floor before you get to the point you MIGHT want to find and kill a boss monster and gain from it a key that will let you descend to that floor instantly. IF you can find the ladder that will take you there. The other big issue here is that without spells or items that can tell you, there's little indication as to which floor of the dungeon you're on. Some ladders in the dungeon drop you one floor, some will drop you multiple floors and the almost undetectable trapdoors can drop any number of levels downwards. Of course this doesn't sound too bad but remember that the further down you go, the higher the level of the monsters and the more powerful monsters come out to play. You know the ones I mean. Those that can strip you of your armour in one move, those that can poison and inflict diseases upon you, those that can drain your levels for you. You know now, the fun ones.

Ah yes, the lovely "Blocker" types of low attack/high hp that just waste your time.

Finding treasures is a random event that happens on the defeat of every monster, you could, for instance, find the most powerful armour on the first creature you battle, or the most powerful weapon but at the same time you might first 1 copper piece, which isn't worth anything in real terms within the game. Typically, Cups of Health will be found initially at the start of the game but later on, you'll be running back and forth from town to the lower levels in search of the stronger monsters so that you might level up sooner rather than later.

The bat, it could infect you, but at 3HP you're more likely to catch a cold than a disease.

Outside of the scope of the instructions, there's little here to keep people playing once they grow tired of the monotonous exploration and discovery, new threats of monsters become annoying when you realise that it will take considerable time and preparation to even begin fighting them and then to realise that some monsters can ignore powerful attacks and spells on the basis of "I'm just not going to accept that" and then it's out of health time and you're dead, or resurrected if you paid enough for it.

Morrowind

I really should have thought about reviewing this one sooner rather than later as this is a game I've found to be one of the main reasons I upgraded my computer's graphics card just to get the pixel shading effect on the water surface and was amazed by it as the first true example I'd witnessed of what a decent/good graphics card can DO to a system. (Back before the internet was common place to buy stuff online and having to purchase items based on whether a store had one and the hefty price tag accompanying the graphics card too). But in having played Daggerfall previously to Morrowind, I'd had an idea of what they were going to do with the game and the size/scope but even then, I was still blown away by the openness of the game.

It starts, as almost all Elder Scrolls games do, you wake up somewhere and realise "Oh shit, I'm here and this is a thing now". Daggerfall had you shipwrecked, Morrowind has you as a slave on a ship, Oblivion as a prisoner with no past and Skyrim you're on your way to be executed for the crime of having your head and neck firmly planted on your shoulders. In Morrowind's case, you awaken next to a nearly naked man who may or may not have recently decided you were the prison boat’s bitch, it's not entirely clear, but he does seem rather overly concerned to the point of asking how well you slept and what your name is... Some sort of "hump first, question later" approach it'd seem.

Before stepping off the ship, a guard approaches to check names etc, then you're frog-marched into a registry office and further details are asked of who you are, your star sign (generic stat boost/drain) and what kind of person you are either through generic questions like "If you were an animal would you be a) a pig, b) a cat or c) An Ocean Sunfish" which somehow concludes that your character class is nothing akin to what you answered. I prefer to pick my own for the fact I like to hit things with swords and clubs and knowing that some people out there will hurl fireballs at me, be a little resilient to magical attacks. You could go the potion making route, or thieving bastard route and pinch everything not nailed down, though you tend to find you do that anyway.

Here you can also select your race with its own racial bonuses ranging from being rather strong but dumb, to being gifted with magical power but unable to regenerate it or just being small and very annoying. In tandem with this, not every creature/race can wear every piece of armour either (unlike later Elder Scrolls games) and as such the beast type races can't wear standard boots or full helmets. Probably because the models would look dumb if they did that.

Once you're out the building, that's it. Save for a message saying to meet with Mr "X" in a town at some point, and this is where the game can be a make-or-break situation. You're free to do what you want, when you want and how you want with usually very few consequences. Want to do the main quest? Go ahead. Want to join up with various bands and groups and do odd-jobs and chores for them? Do that instead. Want to go raiding temples and burial chambers? Do that. Want to serve the dark gods and become their champions? Do it. You can even decide that living is for the strong, you're the strongest so GENOCIDE is the best course of action and can systematically slaughter EVERY SINGLE CHARACTER in the game... though some will put up a staunch defence even when you're maxed out on levels.

While you progress through the game you'll level up skills by using them successfully, slashing with a sword does very little, but striking someone will gain some exp. Running everywhere will drain stamina but you'll gain running exp and level up there, likewise with jumping until you're able to leap over buildings and take big falls with minimal damage. Need to learn how to use light or heavy armour? Get hit while wearing it to increase effectiveness on using it but you'll need to repair it soon too.

This can be a case of falling at the first hurdle though, with some people not realising that having level 15 swords is NOT a good thing if you want to actually hit people with the swords. Thankfully there's places to learn and level up skills for cash to save you wasting your time flailing like a madman on fire while a worm systematically kills you via death by head-butting your ankle. Incidentally, the same can be said for throwing items, archery etc. There's a LOT of levelling to be done here and gaining levels in sub categories counts towards the bigger character level upgrades where upon you can designate boosts to other aspects of your character with extra bonuses depending on what you did a lot in the previous level upgrade. Just be warned that short sword skill and long sword skill are 2 different skills and you need to be careful which weapon you use, it can be fatal to be mistaken in that regard.

Main plot wise, you're "possibly" the new born arse-kicker god in "mortal" form. If you're really the god re-born, you cannot be killed, but that doesn't stop people trying/failing. You will investigate into various factions around the volcano-island of Morrowind and meet with various Gods and Demons to try and work out if you are the reborn god, reunite the parted Houses of the Island to then wage war (by yourself) on the demon-god and his immortality machine. With lots of backstabbing, skulduggery and walking around the lush countryside and burnt out ash plains of the land.

And fight Cliff Racers. The game's constant harassment in the form of a flying bird that can follow you anywhere.

There's a whole host of guilds to join from Fighters Guilds, Mages, Thieves (honour even amongst them), Assassins, Temples, Imperials and such all having their own jobs and systems, ranks and privileges and rewards upon reaching the upper echelons of the system. Though the jobs can be rather unbalanced or unfair in that the first mission for one guild can be just to kill some rats (and it's always rats) to using unheard of stealth skills to steal something in which you'll invariable fuck it up and look like a prick while running from the guards or losing some stats in prison.

Amongst all this are the specific missions from people you'll meet and encounter. The odd pervert that wants to see you naked. Someone that wants his ring found. Taxes and debts to be collected. Dungeons to be braved. Slaves to be rescued. Floating rocks and prisons to be visited. Mad cults to be torn apart and rent asunder. Flowers to be picked.

And Cliff Racers to fight.

As a character though, you can do a whole host of things. Become a magician and cast various types of magic from destructive fireballs and ice-blasts, to lock picking and telekinesis, addle people's minds, turn invisible, and negate damage and case shields of elemental types. Make and mix up potions to boost stats, or create poisons. Begin your own line of enhanced magical armour or clothing. Develop magical weapons and shields. Repair everything and sell it. Steal EVERYTHING. There is very little limit in what one can do within the game and even going so far as to explore the more seedy and darker regions of the game to own your personal slaves (and liberate them too). Travel from one place to another and...

Kill Cliff Racers...

That is a rather large gripe in the game. You can't sleep (and heal... usually..) if there's enemies nearby and with Cliff Racers they can fly and therefore follow you a long distance and over most terrain obstacles that every other enemy cannot do. They tend to attack in swarms and with the repeated hitting and staggering, will knock seven shades of shinola from your body and kill you before you can even begin offering a retort. Some gamers will employ the use of a mod that removes them completely from the game and find it becomes and much more enjoyable experience. Though I personally found it hilarious when meeting several barbarians in the game that had encountered a witch and needed help, one was basically an obnoxious man who "claimed" she was a witch, another actually was a witch, and the third took the piss out of me for assuming there's always a barbarian fighting a witch. A wonderfully amusing inside joke within the game at itself.

Getting married to a cat-girl however was a bit odd. Though I can think of a multitude of idiots that would relish that prospect. While rising to the head of a guild only to fight and kill the leader was a good chuckle. Incidentally, the conversation aspect of the game is all based around talking to people and clicking keywords they (might if they like you enough) tell you about and inform you of upcoming events. Alternatively you can scare them if you're convincing enough but they'll hate you later, and bribe them a lot of cash to make them like you like some sort of emotional happy pimp. Or taunt them into fighting you and making it easier to kill them for free with no consequences (unless it's someone key to the story/plot) in a sort of "you swung first, I get to do what I want" kind of ruling.

The game however, for all its flaws and bonuses, reeks atmosphere almost from every pore of its fine and slightly pock-marked skin. The ambient music adds almost perfectly to the theme and setting of the game and giving a subtle grandeur to the game's production, to the point that the key theme features in later games too, most noticeably in the Skyrim add-on that takes place in an Island just off Morrowind itself, a wonderful little throw-back nod to this game. Music changes gradually to fit pace and setting, so a quiet wander through the lush forests and mountains will be rather soft in approach, while combat and fighting takes an almost faster pace with heavier drum accompaniment but nothing that ever becomes overbearing or taking the forefront in the game, always as a quiet aside to whatever it is featured before yourself.

The game does leave us with various choices throughout, some of which are obvious, others are a bit more judgemental and not as clear cut black/white in the morality issues. Most people will free every slave they find though one or two might play as in character as they can and keep slaves for themselves as pack mules in carrying around large amounts of loot and treasures from the dungeons. Other choices may leave you racking your brain over whether either decision is really the "better" choice, especially if there's not a clear cut solution to the situation and very little indication to the rewards either. "Take this diamond to my sister" and get mugged by their compadre who lifts the diamond back and returns it in a sort of star-crossed lovers idea. You can look past the misdemeanour and help them, or butcher the pair of them in their sleep, steal all their items and clothes and sell it for profit at the local trade/exchange for a nice new pair of shoes with +1 "fuck you" factor. (And -2 charisma, berk). But maybe helping them out well enough will net you a perfect, flawless diamond and their grace and favour.

Or kill some cliff racers.

Invariably some will compare this game to Oblivion and to be fair, that is the next game. But we can't compare an old game to a new game like that; we can only really compare to the previous game and showcase improvement. From the generic lands and awkwardly broken realms of Daggerfall, we've now this fully mapped, fully 3D world (Island...) with some of the most mind-blowing views and visions to grace a computer at that time (more so with the better textures sets available out there) While I shouldn't strictly do this, but the involvement of further add-ons that are officially made, open the game up into looking into the 2nd and 3rd of the "mortal" gods and their involvement and development since the end of the main game (or not as the case may be), or a huge sprawling Island just off from Morrowind where it's based more around a colder climate with its own setting featuring werewolves that haven't really made a return since the Daggerfall game, until the final big update from Morrowind's extra mods.

It's said that variety is the spice of life and there's certainly a lot going on in this game, various different weapons and materials to make those weapons from iron, steel, glass, obsidian etc, long swords, short swords, daggers, knives, axes, spears etc, magic as mentioned before, potions to boost any and every statistic, armours and makes of armours in great variety while also there's every precious metal one could expect to locate and find from steel plate to "demonic" sorts of armours (weapons too for that matter). A virtual library of ingredients to play around with to make potions, and all within a solidly made, gaming environment that doesn't utilise randomly generated areas.

Enemies range from worms and bugs, to larger lizards and beasts, to ... Cliff Racers... demons of fire, ice, storms, poisonous creatures, draining creatures, enemies to be made and defeated, of which, each have their own strengths and weaknesses. Buildings to take over and purchase, populate with your own decor and use their bonuses and extra features to impress... yourself. There's no online function or series here it's just you and the game and while in this age of online participation and social gaming, it can be a little daunting to be JUST yourself in this situation and nothing really coming in from the outside world.

Though to others, it's ideal.

There is a lot of game under the surface with a very well written storyline and plot progression if you can stand to read it, rather than being told it through voice actors. Meaning there is likely a LOT of information regarding the story on the assumption the gamer has the patience to read, tolerate, comprehend and deduce the situations. Such a sentence likely scares off a lot of people but that's how it goes here. It's not for everyone and will require some people to accept some big initial failures until they realise the way they wish to play and tweak boosts and initial staring points until they get the character that works best for them.

And killing Cliff Racers.